Each machine scales dynamically, so as the width and height of the viewing window change the connectors and colors and line-weights do too. Stretch the window wide for chunky outlines. Try to almost break its blocky structure. Because it’s a machine not an image, you get an array of visual outcomes / right click saves with each minted nft.

Just because art is code doesn’t make it interesting. Within the spectrum of generative art - Raw Math / Beautified Math / Math Used / Math Castle - Little Block Machines are in the Math Used camp: they are things for play and a kind of déjà vu of function.

There are 12 color themes, starting with the words (code) and then finding the colors. Soft peachy, mountain moss, dense green, highlighter nux at night.

Little Block Machines were minted through a custom front-end platform called Persistence, an independent project built by Neokry who is one of a number of hugely smart and culturally crucial members of the Mathcastles community. Of course the whole project is indebted to Mathcastles and artist 113’s fluid computing art lessons, and their curation of a resilient, loosely-bonded, tightly-aligned community constructed around the catalytic magnet of their groundbreaking Terraforms project. Wrote more here about personal revelations of learning p5js in 113’s school of art.

The minting and transaction of a project is emotionally horrifying, dopamine pump and dump, a necessary hurdle of sharing work in a culture and industry that is fun and fraught, inspiring and overwhelming. I tried to calm this by dropping Little Block Machines completely unplanned, at a time of day when only Australians were at their computers. Just some fun little machines.